Wizard World Chicago 2006: Problems

I just saw something that suggests Wizard is claiming 200,000 people attended their show over all four days. (Wizard probably follows the method of counting a three-day pass as three attendances. Or, come to think of it, four, considering Preview Night.) I sure hope I misread that, because it’s nowhere near the truth, based on what I saw Thursday and Friday and what a retailer friend told me about business the rest of the weekend.

Preview Night, Thursday from 4-7, was noticably sparse in Artist Alley and the small press area, with relatively few tables even bothering to set up. Fans who wanted a head start on purchasing “convention exclusive” statues and the like appreciated the chance to buy early; fans who wanted to check out new or lesser-known talent were disappointed.

But that was the theme of the weekend. The best times were had with old friends, online or otherwise; the worst was trying to look for anything new. That’s what I anticipate most about a show, discovering a quality title that was previously unknown to me. Unfortunately, as time goes by, there are fewer and fewer that meet that criteria.

During my most fatigued time, someone asked me how I was finding Artist Alley. I said it was like SPX for dark and crappy comics. There were a few exceptions, professional self-publishers or creators who worked for DC and Marvel who knew what they were doing, but the majority of the inhabitants wanted to be another Stan Lee or Image or even just work for them.

There was no shortage of aspiring comic creators, often local, hawking copies of their self-published comics. These tables usually had copies of the one or two issues they’d manage to release, often published through a print-on-demand company and consequently of lesser quality and higher price. (POD books risk looking fuzzy, and they don’t feel right in the hand, due to the paper and copying method.) The subject matter was usually superheroes, horror stories, moody crime tales, or some combination of the above.

One particularly memorable conversation I had consisted of a young artist (strongly influenced by Marc Silvestri and Michael Turner) asking “What’s the difference between a comic and a graphic novel?” When I replied “a variety of factors, including audience, distribution, length, and format,” he responded “how is the format different?”

Another creator, someone who’d put out one issue of their planned 12-issue “season”, was already working on the second. That’s when, he told me, it got really good. I didn’t have the hard to tell him that it was unlikely he’d get three issues published, let alone more than 12. (I also didn’t tell him how much calling comic miniseries “seasons” grates on me.)

The willingness to work with press was, aside from the size of the table and the professionalism of the display, the major distinguishing factor between Artist Alley and the Small Press area — the latter were much more interested and active in getting the word out about their line of comics. The former, in contrast, when they saw my press badge, wanted to spend 10 minutes telling me the story of their great new series but were completely unwilling to give away a single issue of their $3 book.

It’s not that I really want copies of their title, because I’m not likely to enjoy another issue of a generic and mediocre-looking series; it’s that they don’t understand the basics of how to get the word out, which means that they’ll get no sales, no retailer support, and no chance to survive. I resented them for wasting my time by leaving me no physical reminder of their work or remember what they told me or how to find more information.

The Small Press-area publishers, on the other hand, were forcing more books than I could carry on me, allowing me to sample their titles on my own time. As a result, I have a better chance of finding something that’s a pleasant discovery. (Watch for more later about books from these companies, including Markosia and Ape.)

Another difference in professionalism was on display in the major exhibitor section. When I had a question about DC’s schedule or events or staff, I walked into their active and profusely decorated booth. I could instantly find a staffer, either by their headsets or their matching logo t-shirts, and any of them would either answer the question or find someone who could.

Marvel, on the other hand… their “booth” was two tables and a TV screen. There was often no one staffing it beyond one guy keeping people in line, and he didn’t know anything about their signing schedule or who was appearing when. The entire attitude was one of “we don’t care”.

That’s my overall response to the show, too. I’m not the audience. This convention aims to be just like the magazine and succeeds, only with fewer women sporting impossible breasts.

I had some previous comments on the show, and I have one more post coming, that one focusing on the good bits.

Similar Posts: Wizard World Chicago Comic Con 2012 § Wizard World Chicago 2006: Peter, Paul, and Bill § Wizard World Chicago 2006: Good Times § Links on the Chicago Con § Wizard Bans Ex-Staffer From Con Without Explanation

10 Responses to “Wizard World Chicago 2006: Problems”

  1. Ian Brill Says:

    “I just saw something that suggests Wizard is claiming 200,000 people attended their show over all four days. (Wizard probably follows the method of counting a three-day pass as three attendances. Or, come to think of it, four, considering Preview Night.) I sure hope I misread that, because it’s nowhere near the truth,”

    If you attend four days Wizard counts you as four people. If there was something between 100,000 and 120,000 people at San Diego there’s no way the nubmer you posted could be accurate.

  2. Bill D. Says:

    “During my most fatigued time, someone asked me how I was finding Artist Alley. I said it was like SPX for dark and crappy comics.”

    I know what you mean. I found a few books in Artist Alley that looked legitimately fun, and some good conversations with those folks, but wow, were there ever a lot of really grim-looking books out there. And a whole lot of superheroines-in-underwear (or less) drawings. A little scary, that trend.

  3. J. Kevin Carrier Says:

    My perspective is probably skewed, since I only got out from behind my table a few times over the weekend. But I agree that there was a lack of anything really new and exciting in Artist Alley. And like you, I had the most fun catching up with old friends (and meeting face-to-face with some folks I only knew from the internet). It was great seeing you!

  4. Fredd Gorham Says:

    Most professionals call “Artist Alley” the derogatory name of “Artist Ghetto”. The only thing you can get from the area is a sense of what is popular amongst the above ground comics as most of the Alley people tend to copy those trends.

  5. Lucas Says:

    Huh. I really enjoyed artist’s alley. Of course, I got some great sketches from marvel and dc guys that made it fun for me. I got an amazing sketch from Jeff Amano of Beckett, who remains a favorite of mine. I also found two interesting new books: The Leading Man by B. Clay Moore and Jeremy Haun, and The Sire. TLM is just a fun concept, and while cheesy at some points still made me want to read more. The Sire actually handled Multiple Personality Disorder like it was Multiple Personalities, not the shoddy representation of it we’ve seen in other more mainstream comics. While still a superhero story, it was a very different one.

  6. Lucas Says:

    I guess I’m just a very non-jaded comics fan. Marvel’s booth held no problems for me, and finding the signing schedules on the back of the display was easy to me. I also chatted with Sean Ryan, John Dokes, and Jim McCann there, who are all senior staffers, and were very accessible. I had a lot of fun this year. My only complaint was that I couldn’t find 3 issues I was desperately seeking. :-S

  7. Brian Salazar Says:

    It was nice to meet you at WW Johanna, even if it was purely accidental. Hope you were able to track down whomever it was you were looking for. Let me know if you ever want to be on the podcast!

  8. Comics Worth Reading Says:

    [...] Contrary to expectations I might have previously created, there were some good bits at the Chicago con. [...]

  9. Comics Worth Reading Says:

    [...] Problems [...]

  10. Blog@Newsarama » Smashmouth comicons Says:

    [...] me about business the rest of the weekend.   Posted by JK Parkin in Conventions, Industry [ Permalink ] [] [...]

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