[...] Women Cartoonists 1896-2013, billed as “her ultimate book, a revised, updated and rewritten history of women cartoonists, with more color illustrations than ever before, and with some startling new discoveries”. [...]

[...] for the “pioneer” word. That’s a context that I, and writer Robbins (The Great Women Cartoonists), bring to the work. I’m not surprised that, for a general audience, Lily Renee’s [...]

[...] Trina Robbins’ books were discussed. The general consensus was that the books were flawed, but they were the only ones available. Abel called for a good integrated history of comics that included women. It would be nice not to need separate books just for women comic creators. [...]

[...] those lines, I don’t agree with this rant against Trina Robbins’ book From Girls to Grrrlz, but I admire her passion. If I may oversimplify her very lengthy post, the main objection seems to [...]

[...] I was wrong, as I’d have known if I checked the creative credits. There is some of that, but we’re kept aware of Honey as a character, not just a visual. This two-part storyline is all about the female body, but in a playful manner, as I’d expect from comics her-storian Trina Robbins. [...]

[...] favorite piece was a short essay in the back by Trina Robbins about what a manga adapter does and why it’s a bad idea to get rid of them (a cost-cutting [...]

[...] Johanna Draper Carlson on three more female-centric comics histories by Trina [...]