»
S
I
D
E
B
A
R
«


Studios Announce UltraViolet, New Shared DRM Scheme
January 7, 2011

As announced yesterday:

Six of Hollywood’s largest studios including Lionsgate Entertainment, Paramount Pictures, Sony Pictures Entertainment, Twentieth Century Fox, Universal Pictures, and Warner Bros. Entertainment Inc. today announced their support for the UltraViolet service and format created by the Digital Entertainment Content Ecosystem (DECE).

So what is UltraViolet? It’s a shared digital rights management scheme (first announced last year). The plan is that you buy a TV show or movie once, and you can watch it on multiple UV-enabled platforms, including your internet-connected TV, your phone, and your computer. You can do that now, of course, if you rip a purchased DVD, but that’s considered illegal. The biggest studio not included in this agreement is Disney, who have set up their own system called DisneyFile. On the tech side, the biggest player not involved is Apple.

UltraViolet logo

One of the features of this new scheme is that it will enable up to six users and 12 authorized devices for downloading and sharing, without additional payments. That’s an improvement over the “pay for every new venue” method studios consider now, but it’s not unlimited. It can’t be, from the studios’ view, because then you might lend your movie to thousands of your closest internet friends.

However, its biggest detriment is that it’s server-based, requiring the system to check that you have a valid “cloud-based UltraViolet Account, which includes a Digital Rights Locker and account management functionality.” There have been past systems which closed down or went out of business, meaning that users could no longer access the content they had legitimately purchased (or rented, which is all this really boils down to). Everything also needs internet access in order to verify the account.

Customers will additionally need to buy new equipment that’s UltraViolet-enabled (due in 2012) and more copies of favorite films, this time with the UltraViolet logo. Given that customers are resisting more TV purchasing, since most have now upgraded to flat-screen and don’t see the need for 3-D sets, I’m sure equipment makers like that idea.

All things considered, this is a more forward-looking plan than many I’ve seen trying to address the change from physical plastic discs to online digital content. They’ve signed up an awful lot of key players and seem to get much of what customers want right. The biggest issue remains to be announced: pricing.

9 Responses  
Ralf Haring writes:  

I was quite surprised at how semi-reasonable it seemed. It’s not unlimited viewing however the consumer wants, but it’s a big step from some past stances content providers have taken to be as impossibly locked down as possible.

 
Johanna writes:  

True. Which makes me wonder just how far studios think they’re behind the curve, in terms of customers no longer buying. (I’m operating under the assumption that companies don’t like to do things like this unless they feel they have to.) I’m hoping we don’t get shocked by the price, with producers thinking online movies are worth $40 each or something outrageous like that. And if they really want to complete with Netflix, there should be an “all you can watch” flat-rate option.

 
Dwight Williams writes:  

So they’re trying to boost the need to keep factories running with this law?

Also, I don’t want to have to have every media player I own rigged up with an internet connection active at all times. I can’t imagine that I’m ever going to be alone in this, either.

 
Dwight Williams writes:  

Sorry, after re-reading it a couple of times, it’s obvious that I misunderstood what this is: not a law, but a cartel-like agreement for tech standards.

But that perpetual net-connection angle also leads to another implication of perpetual surveillance issues, yes?

And given the preference to treat the USA and Canada as effectively a united market whenever and wherever possible, this should run right into a brick wall called PIPEDA.

 
Chris Howard writes:  

I foresee a day coming when my PS3 wants to update to be able to handle UV, but in doing so, it will have to lock out any other kind of media playback. And that’s the day the network cable comes out.

 
New UltraViolet Digital Copies Annoying Some Customers » DVDs Worth Watching writes:  

[...] Lantern was the second home video release to carry the UltraViolet cloud-based authentication system for providing digital copies across devices. (Horrible Bosses is [...]

 
UltraViolet Digital Copies on Sale: Movie Companies Continue to Overvalue Their Product » DVDs Worth Watching writes:  

[...] the UltraViolet program was first announced, one of its goals was to give studios a way to sell digital versions of movies direct to customers, [...]

 
Green Lantern on Blu-ray » DVDs Worth Watching writes:  

[...] UltraViolet digital copy code. This is the first major release with that new DRM system included, but I [...]

 
Don’t Like UltraViolet Digital Movies? You Can’t Sell the Codes » DVDs Worth Watching writes:  

[...] lot of customers have been unhappy with the UltraViolet digital copy system set up by a number of movie studios. I’m finding it frustrating that I now have to use [...]

 
Leave a Comment


»  Substance: WordPress   »  Style: Ahren Ahimsa
Copyright 2009-2014 Johanna Draper Carlson