*The Drops of God Book 1 — Best of 2011

I’ve been curious about The Drops of God since hearing that this legendary manga has been affecting prices in the wine market, especially in Asia. It seems that getting a bottle or vintage recommended in this comic can drive real-world international customer interest and thus industry economics. Additionally, I grew to love the Japanese food manga Oishinbo (which also did an alcohol volume), and I was eager to see more in that genre. Yet Drops of God left me with a mixed reaction.

I might have enjoyed Drops of God more if I didn’t recall Oishinbo so well, because there are a number of close similarities. Both have super-talented (due to their father’s training) pouty young men as their heroes. In both, characterization comes a far second to essay-like sections praising particular items of consumption or methods of creation or providing trivia behind the food or drink. Both lead characters are forced into using their tasting skills and food/flavor knowledge in competition with their fathers. The difference between the two is that, in Oishinbo, the father is still alive and actively annoying his son. In Drops of God, the father has recently passed on, leaving a bombshell in his will.

The dad, Yutaka Kanzaki, is a hugely famous wine critic. His son Shizuku hates wine, working instead in sales for a beer company. To inherit the father’s unique wine collection and his other property, Shizuku must identify, based on clues left in the will, 12 great wines and one, “The Drops of God”, that stands above them all. Shizuku will be competing against Issei Tomine, a younger critic (who was also adopted by Yutaka a week before Yutaka’s death, a particularly odd twist that is barely mentioned, let alone explored).

Issei’s presence taunts Shizuku into accepting the challenge instead of leaving his father and wine behind once and for all. This setup allows for other stories to be told within the framework of the bigger contest. For example, in this volume, old lovers come to understand each other’s choices through their wine selections.

While this book has a lot of hooks and a ton of potential, this first volume is disappointing. The art is static and not exceptional. It gets the job done but rarely stands out at any point as particularly skilled. The few impressive pages are when we see a visual symbolizing what a character is tasting, particularly when one wine is compared to a Queen song. The characters are flatly two-dimensional. The writing is perfunctory and the plotting mechanical. Additionally, if you’re not already a wine fan, you will likely find the profuse adjectives used to describe the fermented grape juice over-written and annoying.

The worst part of the book is the lettering, which at times is almost criminally bad. The font resembles Comic Sans, and there are numerous points in the book where the text actually runs into the balloon borders. I know it can’t be easy to translate and re-letter a dialogue-heavy work where the adjective choices are particularly important, especially given how many more letters English needs compared to Japanese characters, but when two connected balloons are so tightly lettered that the sentences or phrases are running into each other, that’s just hard to read. The all-caps narration boxes are particularly ugly.

On the other hand, I do hope we see more of Miyabi, the sommelier in training. Mostly, she narrates to the reader, provides a source of tasting material, worries about losing her job, and models the occasional panty shot. Overall, there’s a nice mix of female characters in this series who do more than just support the male competitors, including the lawyer who manages the contest and a wine-crazy young actress. There’s also a crazy-looking homeless man who turns out to be a genius with near-magical access to just the wine needed and an fannish co-worker obsessed with Italy who looks to provide some entertaining conflict in the next book.

I like wine. I’ve recently been following the recommendations of an excellent local wine shop to explore flavors and determine my personal tastes. But when I buy wine, it’s usually $11-20 a bottle, not the hundreds or thousands of dollars in prices quoted here. (All prices are given in yen, so divide by 100 to get an approximate dollar value.) As someone who wants to learn more about wine, this book is of little help, because I’m not looking for “best in the world” quality or knowledge of labels highly praised by critics. The vintages discussed are mostly classic French and other European, playing to status-seekers and snobs. Often, price plays too big a role for me to be comfortable, emphasizing the commercial aspects of wine instead of its other virtues. I’d be interested in reading a comic like this written instead about U.S. vineyards.

Still, this is only the first volume. I’m trying the second, to see how this series matures, and it is a good value, at under $15 for over 400 pages. The publisher has posted preview pages at their website.


  1. “I’m trying the second, to see how this series matures”

    …like a good bottle of wine? :)

  2. I’d agree that the lettering takes a little getting used to, but it’s much better than the lettering I’ve seen in the Fanfare/Ponent Mon books I’ve read, where it (a) appears to actually be Comic Sans, and (b) is clipped off in parts (ie, the descenders) which looks really ugly. And I’m pretty sure it was reading reviews on this site that made me order said books – A Distant Neighbourhood – in the first place. :)

    But that’s a minor quibble, really, not least because I do agree that it’s not the best choice of lettering, even if I don’t think it’s anywhere near the disaster it’s made out to be. I will admit I’m possibly being slightly soft on Vertical, because I never expected to see a licensed edition of Drops of God, so they get masses of credit from me for taking a punt on it in the first place.

  3. True, Nick, how much it bothers people will depend on particular tastes. I don’t know why I didn’t comment on any issues with Distant Neighborhood in that review, but perhaps reading that one on-screen felt different. In this case, it got in the way of my enjoyment of Drops of God, so I felt like I needed to mention it.

    Greg, thank you for picking up on that. :)

  4. […] Johanna Draper Carlson's review of vol. 1 of The Drops of God […]

  5. […] the story strongly reminiscent of the foodie manga Oishinbo, but with a few twists of its own. [Comics Worth Reading] Legion of […]

  6. I actually like Miyabi myself. From seeing the later Japanese volume covers featuring her, it seems like she will play a huge role in Shizuku’s quest to find the Apostles & the Drops of God.

  7. Oh, I hope so. She’s got a lot of potential and balance for Shizuku.

  8. […] pages at the end/beginning of chapters (due to its original serialization) — continue from Book 1, this second volume improves on the first where it counts, in the story. The tales this time around […]

  9. […] consistency. In structure, style, and presentation, The Drops of God Book 3 is much the same as the first two books, so if you enjoyed those, you should find the same appeal here. The Drops of God Book […]

  10. […] Book 1 […]

  11. […] conversation spends a lot of time with The Drops of God before moving on to other titles. Deb and I debate whether Toriko is the same kind of food manga as […]

  12. […] launching strongly, The Drops of God series appears to be faltering. The previous book released was Volume 4, taking […]

Leave a Reply

Comments are closed.