- Posted by Johanna on May 1, 2013 at 10:32 pm
- Category: Shopping Guide
Two great books out today, both creatively inspiring in very different ways.
|Will & Whit||Feynman (now in paperback)|
|by Laura Lee Gulledge||by Jim Ottaviani & Leland Myrick|
|Amulet Books, $12.95||First Second, $19.99|
Notes on a few other releases: If you’re a Twilight fan, you’ll likely want to see the next chapter told as a graphic novel. Yen Press has released New Moon: The Graphic Novel ($19.99), part one, as a hardcover. If you’re not already a fan, there’s no need to start with this part of the bigger story, and the art is serviceable, not outstanding.
Archaia is tackling an odd cross-cultural project — in July, they’re releasing a Cyborg 009 graphic novel, a retelling of Shotaro Ishinomori’s manga written by F.J. DeSanto and Bradley Cramp. As a sneak peek, today they’re putting out the first 17 pages as “Chapter 000″, a one-shot for a dollar. It’s not all that satisfying on its own, but it’s intended to simply be a teaser, introducing you to the (somewhat familiar) elements of a guy enhanced into a powered cyborg fighter by a mysterious group. He then teams up with others like him to fight back. The art, by Marcus To, is attractive, more superhero than manga. There’s too many characters to get a sense of any of them, but the background material, interviewing DeSanto and providing some history of the property, is informative. I was intrigued enough to consider reading the full story when the whole book is available, drawn by the art.
- Posted by Johanna on April 28, 2013 at 5:49 pm
- Category: Graphic Novel Reviews
- CREDITS: written by Jim Ottaviani; art by Leland Myrick
- PUBLISHER: First Second; $29.99 US
Even though I had heard many of the incidents in the life of physicist Richard Feynman, I found this graphic novel biography by true-science comic writer Jim Ottaviani and accomplished cartoonist Leland Myrick surprisingly affecting, particularly when it came to the story of his wife Arline.
Much of the material will be familiar to readers of Feynman’s biographies, Surely You’re Joking, Mr. Feynman! and What Do You Care What Other People Think?, but seeing the incidents play out visually gives them new life. If you aren’t familiar, Feynman will be particularly inspiring, as it demonstrates how marvelous the universe is, particularly with the right attitude. Reading through it made me wish I’d stayed in the sciences, especially physics, because Feynman makes it all look fascinating and fulfilling. He got successful enough that he could concentrate on what he found fun, making discoveries along the way. Not a bad way to go about things!
Feynman had amazing accomplishments — he participated in the Manhattan Project in New Mexico, lectured in front of Einstein, graduated MIT and Princeton, won the Nobel Prize, investigated the Challenger disaster — but also impressive is his attitude, demonstrated from a young age, of curiosity and an unwillingness to be cowed by authority and the inclination to question almost everything. I also loved his devotion to teaching (an area many universities tolerate at best) and his insistence that science needed to be able to be explained to lay people.
Ottaviani excerpts many of Feynman’s public speeches and writings, so the book has plausibility and authenticity. It also has heart, as Feynman struggles first to marry Arline and then to live with her in spirt of his work and her sickness. That part made me cry, so I was glad for the sillier stories about safecracking and learning art and hanging out at the beach.
- Posted by Johanna on April 2, 2013 at 10:34 pm
- Category: Graphic Novel Reviews
- CREDITS: written by Jim Ottaviani; art by Maris Wicks
- PUBLISHER: First Second; $19.99 US
This science biography about three anthropologists who lived with primates is astounding. I’ve heard of Jane Goodall and Dian Fossey before, but I didn’t realize just what they accomplished. This story brings their discoveries to life.
In 1960, Goodall lived in Africa for a long-term observation of chimpanzees. It’s a good thing that she didn’t mind spending a lot of time alone, doing nothing but watching animals, because she discovered them using tools. That was a revelation, since until that time, it was thought only humans could do so. In 1971, Biruté Galdikas was the first to closely observe wild orangutans. Dian Fossey wanted to see mountain gorillas, and her writing allowed her to get to Rwanda, where she also fought poachers, ultimately leading to her death.
Maris Wicks’ art is nicely simple. It makes me happy to read about these people and monkeys; they’re cute, but their experiences are also clear and inspiring. I’ve only read one of her comics before (Yes, Let’s), but I’ll be on the lookout for anything else she does in future. She does great work with the various apes and their behaviors, so important to a book about observing them.
Jim Ottaviani, on the other hand, has been writing about scientists for years, but his clear explanations bring historical figures to life as people. He’s very good at picking out telling moments that are often quite funny, as when the mentor of all three, Louis Leakey, grades his own exam in college. From the portrayal here, he was quite the impulsive man, selecting women without classic training because he thought they’d do better and be more patient. I’m curious to read more of his story sometime.
That’s not the only way that this book is a starting point. To make it okay for younger readers (I suspect), some of the details (like what happened to Fossey at the end of her life or the malady Galdikas suffered) are handwaved or glossed over. But then, to talk about the lives of three women and their accomplishments in under 140 pages must have been a struggle in itself. Still, what’s here is inspiring.
Primates can be ordered from your comic shop with Diamond code APR13 1147. It’s due out in early June. There are preview pages at the publisher’s website, and their blog has a great book walkthrough. (The publisher provided a review copy.)
- Posted by Johanna on September 29, 2009 at 8:06 am
- Category: Graphic Novel Reviews
- CREDITS: written by Mark Schultz; illustrated by Zander Cannon and Kevin Cannon
- PUBLISHER: Hill and Wang; $14.95 US
When I saw The Stuff of Life: A graphic guide to genetics and DNA, I thought it would be another great book in the genre. Heck, it was both blurbed by Hosler and illustrated by Zander Cannon and Kevin Cannon, who previously worked with Ottaviani on two books, T-Minus: The Race to the Moon and Bone Sharps, Cowboys, and Thunder Lizards. Unfortunately, I was severely disappointed.
First, I found the premise silly. The framing sequence has an alien named Bloort 183 reporting on human genetics to the king, Floorsh 727. Aliens with goofy names? Ok, maybe they wanted something visually interesting, since this is a comic. Nope. The aliens are stalks with a flower on top with an eye in the middle. They’re lumpy and boring.
They feature in a very text-heavy, yawn-inducing introduction. Why does a book on genetics start with the formation of the planet Earth? I thought I was in the wrong volume. The overwritten text doesn’t work well as comics — the pictures illustrate the words instead of integrating with them. The art is quite good, actually; it’s a shame that the small size of the book and the copious amounts of text don’t show it off better.
By the time they start the genetics information, they’re throwing concepts, facts, and specialized terms at the reader rapidly. The alien nattering becomes a distraction instead of a way into the pile of jargon.
I’m not sure who the audience for this is. Younger readers will be put off by the relatively advanced vocabulary. Older readers (college level, for example) will likely find the comedy aliens too silly. I only made it 25 pages into the 150-page book before I gave up — it was making me sleepy. I will say, flipping through the rest, it seems very thorough and in-depth in covering its subject, but I was too bored to continue. There’s an excerpt at the publisher’s website if you want to see more.
- Posted by Johanna on June 21, 2009 at 4:10 pm
- Category: Graphic Novel Reviews
This benefit anthology (proceeds go to RS Eden, a substance abuse treatment facility in Minneapolis) is loosely themed, keeping with the title. The ghost approach was reinforced by the first piece, an odd wordless thing with small pen-and-ink drawings by someone called Hob featuring the ghost of a brontosaurus (or whatever they’re calling long-necked dinosaurs these days). It sets things off with a good tone. Other stories are less connected, being only about memories, or losing a loved one.
Pieces that stood out to me: Maris Wicks draws cute little formless ghosts in a short series of funny strips about living in a haunted house. (Turns out she’s illustrating Jim Ottaviani’s upcoming book from First Second about women who worked with monkeys, which means I’m now looking forward to it even more.) Lucy Knisley contributes a story about going to an outlet mall and passing by the boarding school she once attended, but I’d already read it in one of her books. Jessica McLeod‘s story, featuring the ghosts of dead tomato plants, was adorable.
Some of the stories are little more than doodles, with the kind of scratchy naive art I’ve given up reading. Others appear intended for somewhere else (the Japanese folktale, the knight slaying a beast). The editor’s piece, about music-driven memories, also appears in Side B (see below).
A practical note: the table of contents lists only the artists’ names. The stories themselves may have a title or may have nothing at all. All entries in an anthology should have the story title and author’s name clearly listed in the same format whenever the stories change, and so should the table of contents. Since so many contributors to these kinds of projects may not be well-known to the readers, full identification should be used in all cases. Without it, I had to flip back and forth between story and table of contents to see who’d drawn what I was reading.
edited by Jeff Yang, Parry Shen, Keith Chow, and Jerry Ma
New Press, 200 black-and-white pages, $21.95 US
This Asian American Superhero Anthology has an admirable purpose — to address under-representation of Asians in comics and demonstrate the abilities of Asian American creators — but the results are too often uneven.
Some of the characters are utterly generic, heroes that have nothing to recommend them beyond their ethnicity. Other stories were barely a prologue, just establishing a premise or introducing cast members when they ended. (The best of this bunch is The Citizen, by Greg Pak and Bernard Chang, which features President Obama activating an Asian American hero to kill Nazis. It’s of a distinctly more professional level in both art and writing than some of the other pieces.) Instead of a showcase, sometimes this seemed like a pitch book, a try-out for getting more work.
The history-influenced section, “War and Remembrance”, is the longest in the book and the best. Some stories focused on downturns of oppression, especially during the section set during the incarceration of Japanese Americans during WWII. I don’t dispute those feelings, but it’s a bit weird to see stories that demonstrate no hope, no view for a better future, especially those set in the past. I would think that the existence of this book serves as a small counter-argument for that view.
It seemed to me that some of the heavily shaded entries were designed for color reproduction, and the result when printed without was dark, muddy, and hard to read. There is a short color section, but it’s used for character profiles, a kind of who’s who of ideas for other comics.
I liked the revisionist take on the Green Hornet by Gene Yang and Sonny Liew called “The Blue Scorpion and Chung”. It’s got a drunken racist crimefighter and his hard-working chauffeur, and it’s really about the despair of sacrifice.
There’s one section dedicated to “Girl Power”, either female creators or characters or both. Lynn Chen and Paul Wei tell a folklorish story dealing with body image that was a pleasant change of pace while still keeping with the theme. “Sampler”, by Jimmy Aquino and Erwin Haya, is an odd piece about superpowered costumes with a distinct look that suits its fashion focus. The rest of the book is as typically male-dominated as other superhero comic projects and companies, with women showing up as girlfriends or scantily clad superheroines when they appear at all.
The strips I enjoyed most were those that directly addressed the problem of representation and spoke to individual experience. For instance, Tak Toyoshima’s one-pager where his character Secret Asian Man talks with Larry Hama. Or the page where Greg Pak talks about his goals, art by A.L. Baroza. (The writer is credited as Keith Chow; there are two more of these short interview pages in the book, talking with Gene Yang & Michael Kang and Greg Larocque.) I wish there had been a lot more of this kind of material, but that would have been a different book, one about the work of Asian American creators, without the superhero hook.
Side B: The Music Lover’s Comic Anthology
edited by Rachel Dukes
Poseur Ink, 232 black-and-white pages, $22.99 US
As with Ghost Stories, I would have liked to have seen a design element introducing each story with a title and author, but at least here, most of the stories do that themselves. The theme, comics about music, is a great one, as well as immensely challenging. You can’t convey sound through a silent paper medium, so the artists must instead cover the emotions raised.
I was generally impressed by the high quality of the work here. Even with the pieces where I didn’t care for their chosen style, I could see skill underneath (as opposed to the “I drew better than this in 4th grade” feeling I sometimes get in these cases).
Brian Butler had an interesting collage-like piece about life as an indie band. Dominique Ferland’s two-pager about meeting in a club says it all in a short space. Joshua Rosen starts out talking about having to come up with an idea for a comic music anthology (boo! to too much self-referentiality) but it turns into a piece about how music matters differently to us as we age. Elizabeth Gearhart’s accomplished lines and toning illustrate the story of an opera singer’s ghost and a cat told in verse! Impressive and cute!
Many of the pieces are semi-autobiographical, or seem that way. I liked the approach, since made the book feel like hanging out chatting with friends. Lucy Knisley ponders technology changing our musical memories (and this one I hadn’t read before). Katie Shanahan talks about having tastes outside of the usual, open-mindedness, and acceptance. Cindy Hui and Joe Laquinte share family memories in an imaginative piece that uses comic symbolism to capture emotion. Andy Jewett remembers home taping from the radio; it brought back strong memories for me, and the urge to find my old homemade cassettes. Jamie Campbell has two pages on music in soundtracks, combining with visuals. Megan Rose Gedris’ piece on muses helped me understand why some young comic makers are also into other arts.
Other contributors you might recognize are Jeffrey Brown, Todd Webb, Jim Mahfood, and Ryan Kelly. There’s music as proposal, music as elegy, music as lifesaver. Several of the pieces, as expected, are about favorite songs, bands, or albums. Only two mention downloading in any way, which surprised me. (One’s about the Rock Band video game, which was cool.) Then again, many of the stories are about memory, and online music is still relatively new. With stories about record shops, mixtapes, and listening to entire albums, the book is almost a time capsule of how things used to be. Lawrence Gullo’s “Summer 1968″ sums it up: music is about freedom.
So far, the best anthology I’ve read this year. Get a copy and see for yourself.
- Posted by Johanna on June 10, 2009 at 7:47 am
- Category: Comic News
This year, I went to the MoCCA Art Festival in New York City for the first time. (So, of course, this was the show everyone was complaining about. It was always better before.) Overall, it was a great experience, even though I was an idiot for flying up, going to the show, and flying back all in one day. (I’m too old to be awake from 4 AM through 1:30 AM the next day.)
A Slow Start and Other Problems
The show opened over an hour late. Explanations varied: cash registers weren’t there, badges weren’t there, publishers’ books weren’t there. The organizers extended closing time an hour, but that didn’t help people, like me, who had evening appointments they couldn’t miss. It totally bollixed up the programming schedule, too. I heard someone saying that the experienced show folks left the sponsoring museum organization last year, so the organizers may have had to re-learn some skills.
I had had breakfast beforehand with Ed, Rivkah, and her friend Matt Bernier, also an artist. (His minicomic Out of Water, the story of a boy and a dolphin based on a Greek myth, reminded me of Craig Thompson’s Goodbye Chunky Rice. He’s also contributed to Flight 5.) That was good, because I was fortified for the delay, and they were wonderful to talk with as we waited. I’m eagerly awaiting Rivkah’s next book, a huge autobiographical tale about coming to recognize when a relationship is bad for you and how to escape.
And who should appear in line behind us but Douglas Wolk! We’ve both contributed to the same two websites, but I’ve never had the pleasure of meeting him before. Later, I also met Rick Marshall while chatting with Gary Tyrrell during a much-needed rest break. Otherwise, the show was big enough that I didn’t find anyone I hoped to bump into. It was definitely a place to make arrangements and phone calls instead of relying on chance.
Once we got in, the show was much warmer than I expected, which meant that promotional postcards came in very handy as substitute fans. There was no air conditioning in one big barn-like room, although I’m told that it was much improved over last year’s upstairs sweatbox.
I was also disappointed by the lack of identifying table numbers. Many of the artists I was interested in finding had been diligent about posting where they’d be, and I noted down the numbers… but digits were nowhere to be seen on the tables themselves, and it was very hard to see where one table stopped and another started, so counting was impossible.
Oh, and because I kept tiring myself out, I didn’t check out any programming, although Ed did. He’ll have a post later.
Some of the books I was most looking forward to buying were by Lucy Knisley. I have fallen in love with her art. Pretty Little Book is, like Radiator Days, a collection of journal comics, but in color this time! (Which means it’s the same price for fewer pages, but oh so pretty. And funny.) I also got Heart Seed Snow Circuit, her graduate school application project, a large-format comic with a talking apple, snowman, and refrigerator who discuss hunger, passion, and creation, all with food undertones (as I’ve come to expect in Knisley’s work). Thought-provoking and inspirational. Although an essay in comic form, the unusual characters are well-cartooned and keep the reader interested.
Probably my favorite is Drawn to You, a collaborative comic by Lucy with Erika Moen. They each drew themselves, sending pages back and forth online. It’s like reading a combination interview and letter series. They discuss why they do autobiographical comics, gender distinctions, sexuality, and compliment each other. It’s fascinating, in part because it stays so interesting even though it’s just two representations talking.
I also picked up these great-looking titles, which I haven’t had a chance to read yet:
- Johnny Hiro, collecting the three previous issues with a lot more
- Lamar Abrams’ Remake, which looks like silly action fun
- Side B, a music-themed anthology
- Ghost Comics, a benefit anthology out of Minnesota
- Undertow, a story about not fitting in the 1950s. Author Ellen Lindner now lives in England, which I found fascinating.
Top of my list for minicomics were new issues of Jumbly Junkery by L. Nichols. I was complaining about non-descript covers on earlier issues, so I was tickled to see the day-glo pink skeleton on yellow background on the new #7. That’s certainly not going to be overlooked!
The longest story in #6 really touched me, too. It’s about scientists inventing a time machine, and in the future, the traveler discovers that souls can be measured by quantum physics and as a result, science and religion have become one. As someone else who gave up the hard stuff for creative functions, I could really identify.
Cathy Leamy (Geraniums and Bacon) put out “Greenblooded: An Introduction to Eco-Friendly Feminine Hygiene”, which I had to have just because of the unique subject matter. She’s right, no one talks about this stuff. I learned a lot. Not willing to give up traditional products for the alternatives, but it’s good to know they’re out there.
Tim Kelly caught my eye because he had a puppet named Max the Meanie. He draws comics about it. He also has done diary comics about his daughter, who has autism, so we talked about the manga With the Light, which covers the same subject.
(I have a lot more to talk about, but that will have to be a second post, since I’m over 1500 words here already.)
Raina Telgemeier had postcards promoting the collection of Smile, due out in February. The cover takes a minimal approach, featuring a smiley face wearing braces. I can’t wait to read the whole story!
Hope Larson’s new book, Mercury, will also be out in 2010. I know nothing about it except for the intriguing postcard image she had, but it’s by her, so I’ll buy it.
Matt Loux, who looked younger than I expected (but then so did everyone), told me the third volume of his Salt Water Taffy series, The Truth About Dr. True, is due out a little later than expected, probably September.
I missed saying hi to Neil Kleid, although NBM had promo booklets for his upcoming book The Big Kahn. It’s a nice presentation with a substantial chunk of story, and it worked — I want to read more.
I closed the visit with a very nice sushi dinner at Japonica with my brother and sister-in-law. I like coming back to family after comic shows, because it grounds me.
On the way back to the airport, I wound up sitting next to a young woman who leaned over and gave me information about a subway stop. I asked her, “how could you tell I was a tourist?” She replied, “You smiled at me.”
My very deepest thanks to Jim Ottaviani, for giving me a place to sit when I really needed it.
Reading other people’s reports, I feel like there was so much I missed. Heck, Ed and I came away with almost totally different stacks of reading material. (Time to swap and share!) I don’t mind — I’d rather leave wanting more than feel burned out early — but I wish the environment had been more conducive to browsing (lower temperature, places to sit down, easier table navigation).
The biggest problem I saw at the show was that of pricing. Minicomics are more often $5 than $1, and books start about $15. Which means it’s a lot harder to sample widely (unless people pay attention to the press badge, which is the only reason I came back with as much as I did). I spent $60 right off the bat on must-haves (six books), which made me pickier afterwards. With news that table fees are increasing to $400 next year, I fear for what that means — artists will have to have higher-priced items just to have a chance to make a profit. For a normal visitor paying a $10-15 entry fee just to have a chance to shop, this becomes a pricey weekend.
The biggest hope I saw was that there is no reason to fear for the future of comics. All these young creative people were almost too much for one huge room. It’s astounding, what’s being done out there, and even though I exhausted myself physically, I feel energized by it all.
- Posted by Johanna on May 4, 2009 at 6:41 am
- Category: Shopping Guide
The Previews cancellation pages used to be full of reason codes 2 and 6. That’s “will resolicit” (which I usually took to mean “the creators are running later than we expected, but you’ll see the book eventually”) and “sold out” (never a bad reason). Now, it’s all 4s (“cancelled by publisher”, which sometimes means “we can’t afford to do it with those numbers”) and the dreaded 3s (“cancelled by Previews”). That last one means “we didn’t get enough orders to make Diamond enough profit”, and even knowing that they were cracking down this year, I had no idea it would grow this quickly.
Take, for example, Hope Falls. The miniseries, written by Tony Lee, had a collection planned for release this year, but it fell victim to “not enough orders”. Yet Markosia is still publishing it — they’ll sell it through Amazon, Diamond UK, and direct themselves.
That’s just one of many. Rumor has it that Diamond’s in trouble, like most companies in this economy, and it’s understandable that they need to tighten up, but driving customers to other venues doesn’t do Diamond’s customers, the direct market comic shops, any good. And having to stay on top of the status of various projects individually in order to figure out who you’ll get it from and when … that’s no fun. It defeats the purpose of centralized orders, whether from retailer to Diamond or reader to retailer.
Another Stupid Wizard Article
Bwa ha ha! Wizard is plugging an article on “How to Get Your Girl to Read Comics”. Leaving aside the assumption that all of their readers are heterosexual males… I’m not sure I believe anyone immature enough to read Wizard magazine would *have* a girlfriend. But the picture shows her holding a huge stack of Marvel, DC, and Image collections. I don’t really think most women are going to be as interested in The Punisher, Invincible, and Green Lantern as they might be in something, oh, non-superheroish. What about indies? Art comics? Manga? Works in other genres, like science fiction or romance? Heck, if you must show superheroes, what about Birds of Prey or Wonder Woman? And if you’re going to be that terribly cliched, go with Sandman and Strangers in Paradise.
What I’m Looking Forward To
Eh, enough griping. Let’s go to things I’m positive about, starting with Venus Capriccio Volume 2. It surprises me no end that, just when I’m ready to give up on all DC publications, I’ve found a couple of their CMX manga series I really like, this one and The Name of the Flower.
If you haven’t read it before, be sure to check out Jim Ottaviani’s Suspended in Language (GT Labs), a true-science graphic biography of Niels Bohr, the father of quantum mechanics. The art is mostly by Leland Purvis with additional work by Jay Hosler, Roger Langridge, Steve Leialoha, Linda Medley, and Jeff Parker, talented artists all. It’s a fascinating example of just how wide-ranging comic storytelling can be.
I’m looking forward to The Big Kahn, by Neil Kleid and Nicholas Cinquegrani, from NBM. When a respected rabbi passes away, his family finds out that for 40 years, he’s been lying to everyone: he’s not even Jewish. It’s a story about grief and faith and family and finding one’s own way.
My gracious, how the mighty have fallen. Tokyopop has two pages of Previews, that’s it, with 12 listings. It’s a far cry from the days where they’d have page after page, one or two books per.
Top Shelf is preparing for the late September debut of The Surrogates movie with a re-release of the graphic novel with a new cover; a new prequel story, Flesh & Bone; and a super-deluxe hardcover containing them both. Good for them!
The Middleman graphic novel The Doomsday Armageddon Apocalypse (Viper Comics) promises to serve as conclusion to the much-missed TV show. I want to read the comic, but it will only remind me of how much I miss the series.
Peter David’s book about Writing for Comics (Books section) is updated and revised. I don’t know about specific changes, but I thought the first one was pretty good, so I’ll still recommend this version.
What are you anticipating?
- Posted by Ed Sizemore on October 8, 2008 at 9:02 pm
- Category: Comic News
Ed Sizemore and I went to SPX last weekend, just for Saturday. I’ve been going for years now, but it was Ed’s first time at the show, so instead of writing up something predictable about who I saw and what I bought, I asked Ed to share his take, from the eyes of a new visitor who knows comics but not necessarily indy/alt works. I can’t resist kibitzing, though, so watch for my notes in italics below. — Johanna
My first impression was of the staff. Everyone was polite, friendly, and seemed excited to be there. There was a great positive atmosphere from everyone; not just staff, but artists, volunteers, and attendees. I’ll say this up-front so I don’t repeat myself a hundred times; every person I talked to was pleasant, upbeat, patient, and just all around nice.
I have to admit I’m always a little anxious about approaching an artist’s table, because I know the person has put a lot of hard work and money into the books on the table. So I feel bad when I look at a comic and it doesn’t interest me for whatever reason. I mean, it’s a very intimate experience, when the artist is right there in front of me and I’m walking away. I want to say, “I’m sorry, you’re a nice person, your comic just doesn’t connect with me.” What I really appreciated at SPX was that nobody there was pushing the hard sell. Each table I approached, the artist explained what their comics were about, asked me to take a look, and then just let me look through their books and merchandise. Even if I didn’t buy anything I was thanked for looking. After the second or third time this happened my anxiety dissipated and I was able to start browsing in earnest. This made the convention a very enjoyable experience.
I did have a few books I wanted to get signed. I gave my copy of Knights of the Lunch Table to my seven-year-old nephew, who loved it as much as I did. I had Frank Cammuso sign the book for him. This makes it the first signed comic of any kind in my nephew’s collection.
Andy Runton signed my three Owly books and put a very nice sketch of Owly, Wormy, and friends in each book. He also gave me some great tips on using a brush pen. I like practicing calligraphy and he helped to see what I was doing wrong.
Rob Ullman signed the dozen items I had. He’s a fellow Richmonder, but I always forget to bring his books to the local comic show. So I finally got all my stuff signed. I also picked up some great books I didn’t have (see below).
What was amazing wandering around were the number of self-published people with bound trade paperbacks to sell. It’s a good indicator of where I think the comic market is headed. There were plenty of mini-comics and pamphlets, too. My problem was I seriously underestimated the amount of cash I needed. I would have liked to pick up a few more comics to sample than I did, but my empty wallet had the final say. I did pick up business cards from all the artists I liked so I could check out their websites. Here’s what I did get and just some quick thoughts or impressions.
Raina Telgemeier – Picked up a collection of Take-Out comics, the first chapter of Smile, and a new mini-comic called Outreach. All of these are slice-of-life stories. I’ve already read through them and really enjoyed them. I wish I had a couple hundred more of these to read. JDC: Raina’s big news of the show was having Smile picked up by Scholastic/Graphix, so she’ll be finishing the story for print publication in color. Yay! It’s due out in 2010.
Jim Ottaviani – Picked up Levitation, which is about the history of the levitating person magic trick. It’s a great book with tons of reference material listed in the afterward. I also picked up Dignifying Science: Stories about Women Scientists and it looks equally as good.
Jim8Ball – Picked up the first two issues of Tail of the Samurai Cat and he gave me the third for free. A nice parody of Lone Wolf and Cub. I’ve already finished these and liked them. JDC: I didn’t even see this table!
Rob Ullman – Picked up Teeny Bikini #5, Grand Gestures #1, From the Curve #5, and Atom-Bomb Bikini #5. Grand Gestures and From the Curve are slice-of-life books that I’ve already completed and enjoyed. The Bikini books are sketch books with a focus on good girl art.
Mariko Tamaki – Picked up Emiko Superstar, apparently the last of the Minx books, it looks good. JDC: I think Token will be the last Minx, due out early November.
Jay Hosler – Picked up Optical Allusions, The Sandwalk Adventures, and Cow-Boy. All look excellent. Since my seven-year nephew likes science and comics I plan to pass these on him. (Except Cow-Boy, that’s mine.) Jay also did the artwork for all the SPX badges. I got him to sign mine. I plan to laminate it and use as a bookmark. (This was the also the first convention I attended as a member of the comic press.) JDC: I loved Jay’s image for the press badge of a woman in a fedora interviewing a talking comic book. I should have had mine signed, too. And I hope Ed enjoys Sandwalk, since I pressed it on him, given his love of philosophical discussion.
Frank Naif gave me a copy of Super Secret Bungling & Crookery. Just finished this and liked the humor a lot. I was in the military so I can appreciate his frustrations with the government bureaucracy. The art is simple but effective for the humor.
T.J. Kirsch gave me A Murder of Crows. It’s an interesting story of a Vietnam vet dealing with his experiences. I wish the piece was a little longer.
Jane Irwin was extremely generous and gave me a copy of the first volume of Vogelein. It looks intriguing. Wait, there are footnotes at the end! I’m sold. Seriously, I’m a sucker for comics with that much thought put into them.
Fanfare/Ponent Mon – Deb Aoki from About Manga was running the booth for them. She was generous enough to give me copies of Times of Botchan volumes two and three. I was really glad to see and talk to her. We were both at NY Anime Fest the prior weekend, and I missed getting a chance to met her there. I love Jiro Taniguchi’s art so I can’t wait to read these. I believe I now own every book Fanfare has published in the US.
I also attended the Critic’s Roundtable discussion with moderator Bill Kartalopoulos. The panelists were Rob Clough, Gary Groth, Jog, and Tim Hodler. There wasn’t a lot of crosstalk. The hour went quickly. Bill had a chance to ask about five questions and get a response from each member. I won’t give much detail on the panel, since my understanding is that the panel was recorded and either the audio or a transcript will be made available soon. Basically, each guest discussed what they tried to achieve when reviewing a comic. What they thought of the current state of comic reviews and criticism. Some of the common problems they saw in comic reviews. Also, mainstream versus comic press coverage and reviews of comics. I enjoyed the panel and wished they had an hour to discuss further issues. I would also have liked to seen the panelists ask questions of each other.
Overall, I really had a good time at the show and will definitely be back next year. JDC: Thanks, Ed, for the company on the trip. And I ditto your feelings! Great time, great comics!