Osamu Tezuka Manga Moveable Feast This Week

It’s probably about time the virtual reading club covered the legendary creator Osamu Tezuka, since he’s a major figure in the development of manga as we know it. Katherine Dacey is hosting this latest manga moveable feast, and that call for entries has lots of background links on the author. The list of participants is already quite long, given what people have already written about Tezuka. Here’s what Manga Worth Reading has previously covered:

In addition, here are a number of related topics:

We’ll be adding at least one new post this week, but in the meantime, that should give you an overview of many major Tezuka works available in English.

 

Princess Knight and Gender Roles in Tezuka’s Work at Manga Out Loud

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I was disappointed not to be able to participate in this latest Manga Out Loud podcast. Ed talks with Ada Palmer, Helen McCarthy, and Kate Dacey about the second volume of Princess Knight and how Osamu Tezuka handles gender roles in his work.

 

The Bed of My Dear King

I was given a chance to sample some of the first SuBLime Manga titles. I don’t read much yaoi, but I enjoyed The Bed of My Dear King. I tried a couple of the others, but they seemed to be just about getting two men to have explicit sex with each other. (Sometimes so much so that I stopped to verify that SuBLime has an over-18 rule.) Dear King, though, was compared to Future Lovers by one of its readers, so I was eager to check it out. It’s an apt comparison, although a book of unrelated short stories can’t have the same depth as two books all about the same characters.

The Bed of My Dear King

Three stories tell of different romances between two men. In the first, title story, a cable/internet repairman meets a strange young artist at a remote mountain cabin. The two grow closer when an unexpected snow storm traps the visitor.

I liked that there was an actual story and developed characters in these tales. If someone just wants to watch two guys getting it on, that’s fine, but I’m looking for more than that. I find the seduction scenes sexier when I know more about what brought the partners together. Also, these two men are portrayed as gay, not just stand-ins for male/female roles. That’s established before they ever get together.

The art has a good sense of place, showing backgrounds, whether the country the repairman drives through or the sculptor’s studio/cabin. That also helps with the sense that these characters have lives and purposes beyond just the bits we get to see. The guys are also cute, with the burly repairman and the slighter artist.

“Cherry” is a schoolboy story, where the hard-working student council secretary gets help from a classmate after his glasses break. It does a wonderful job capturing the feeling of young love, where you’re not sure if friendship can become something more.

“Flowers” features another set of students, where one is the privileged son of a rich family. He promises to tell the other what really happened with the suicide of a female classmate in return for fooling around. This one felt a little lacking to me; it could have used another chapter to cover the material in more depth.

These three feature classic yaoi premises: the younger man with a medical secret or schoolboys together. All involve someone needing help from another as an avenue for love, with some kind of injury bringing them together, but they’re done with a sensitivity that I appreciated.

 

Shonen Jump Alpha Launches; Print Magazine Goes Digital

Here’s an important signifier of changing times, especially when it comes to the print/digital divide. Viz’s monthly manga anthology magazine Shonen Jump has been discontinued in favor of the digital Weekly Shonen Jump Alpha. The online version launched two weeks ago, while the issue cover-dated April 2012 (on sale next month) will be the last in print.

Weekly Shonen Jump Alpha

The digital magazine is only available in the U.S. and Canada for now, and it requires a Flash-enabled browser or a Viz Manga app to access its approximately 120 pages. Print subscribers have to convert their accounts, but they’ll get three free online volumes of manga for doing so. The biggest bonus is that publishing online allows the company to stay more current with the original Japanese run. The digital manga chapters are scheduled to be only two weeks behind the Japanese print versions (in Weekly Shonen Jump magazine).

For the launch, the magazine contains Bakuman, Bleach, Naruto, Nura: Rise of the Yokai Clan, One Piece, and Toriko. Since some of them had to jump ahead in order to match the Japanese serialization, Viz has also put together a synopsis page to bring readers up-to-date. (If you’re reading the series in book form, spoilers!) John Jakala has posted a chart showing where the series are in terms of serialization.

Issue #1 also included an interview with the creator of Naruto, Masashi Kishimoto — however, since I’m late talking about it, and since Viz doesn’t sell digital back issues, you’ve missed it. As they say in their FAQ, “If fans of the manga series want to maintain a permanent collection, both the digital and print options are available to them in the graphic novel format.”

One of the big draws for print subscribers were exclusive Yu-Gi-Oh! cards included in the magazine. To keep those fans interested, subscribers will be sent those cards free four times a year. It’s $25.99 for a year’s subscription (48 issues, considering some weeks will have double issues). If you only want a particular issue (although considering the serialization, I’m not sure why), it’s 99 cents to get that issue available to you for four weeks.

As I write this, there are two preview issues available for free: one contains the first chapters of all of the magazine’s series, while the other is an issue #0, containing the most recent chapters before launch.

Update: Just a two-week delay is too long for some fans. This scanlation site is complaining that Viz made them stop posting titles that Viz has English license rights to with a message that includes this:

[Viz has] succeeded in little more than invoking inconvenience to the community as their digital magazine missed the mark; it runs several issues behind and only features 3 of the above series. So long as their product continues to be slow, awkward, and inferior to something a ragtag group of nobodies can churn out in a few hours — fans will continue to look to scanlation groups and aggregators for their weekly fix.

Jeez, get some patience, people. Two weeks to go around the world isn’t *that* slow. “Awkward and inferior” I won’t even address, because that’s just self-aggrandization.

 

Manga Out Loud Looks at Fan Behavior and Bakuman

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In the latest Manga Out Loud podcast,

* Ed and I talk about Bakuman

* Erica briefly discusses the MangaNEXT convention

* and then Erica Friedman, Ed, and I discuss the questions of fan entitlement, education, and the future of companies in the industry.

We’re hoping for plenty of feedback, here, at MangaOutLoud.com, or on Twitter.

 

Genshiken Sequel Series Coming to US This Fall

ANN is reporting that Kodansha will release the first book of Genshiken: Second Season in the U.S. on September 4. (There have been two volumes out so far in Japan.)

It took me a couple of tries to appreciate the fan-favorite series, about an anime/manga/cosplay/videogame club, before I got the appeal, but once you know the characters, it’s a lot of fun. The first series ran nine volumes (published by Del Rey), ending with graduation. To prepare for the sequel, Kodansha will also release an omnibus volume of the first three books on May 22.