Grant Morrison Interviewed About All-Star Superman

To promote the recently released All-Star Superman, Warner Home Video has provided this pre-written interview with Grant Morrison, writer of the miniseries the movie is based on. The pre-written Q&A deals with some of the questions fans have had about what was included and what was left out in the transition from comic page to TV movie, as well as discussing which other of his stories Morrison would like to see animated.

QUESTION: Did you have, and did you want, creative input into the script?

GRANT MORRISON: Once I knew someone else was going to do it, I kind of wanted to let it happen and not interfere. I’m always excited to see how others translate things from page to screen. I didn’t even know Dwayne (McDuffie) was involved at first, but I’m so glad he did it. I was happy to see what the story might look like from someone else’s perspective, and he did a fantastic job.

QUESTION: Overall, how did you feel your story translated from page to screen?

MORRISON: I really loved it, which was why I wound up raving about it on so many of the DVD extras! Dwayne worked in a staggering amount of story, and he was able to give it this wonderful, strange episodic flavor where it seemed as if every day could bring some incredible and unexpected new challenge into Superman’s life. I didn’t really expect half of the material from the book to be in there and loved the way it was organized and edited because it made the whole thing a very different experience for me.

QUESTION: Were you disappointed that anything was cut out?

MORRISON: You’re always a little disappointed when some favorite detail doesn’t make the cut, but what did make it was so well-done and faithful to the source that I can’t really say I was upset. It’s a long book that could easily make a six-hour movie, so I’m amazed All-Star incorporated as much of the story as it did, more than anything else.

QUESTION: Were you particularly pleased with the way certain things were condensed?

MORRISON: It was impressive that Dwayne was able to condense entire issues of 22 to 24 pages into tight, satisfying eight- or ten-minute complete scenes. To take a whole issue and make it into an episode that felt complete in itself inside a larger narrative was ingenious and was a great way to translate the book’s serial structure into a feature film. I hope Dwayne knew how much I appreciated his work on this.

QUESTION: Are you a fan of animation?

MORRISON: I couldn’t say I’m a giant animation fan, but I love the obvious stuff from around the world. I always liked the Fleischer animation, the Superman cartoons and the old features they did. I’m not a major animation fan but I do think the good stuff in any field stands the test of time.

QUESTION: Which of your stories do you think would best translate to animation next?

MORRISON: I don’t really think of the stories being done as films. When I’m writing them, I’m focused on what makes a good comic rather than a potential movie. Having said that, seeing All-Star Superman left me quite keen to see some more! I think it would be fun to see what they could do with Final Crisis or one of the Batman stories, like “Batman R.I.P.” in that dark Bruce Timm style. I’d love to see something done with Doom Patrol or Seven Soldiers. Go for it.