Tokyopop OEL — Able to Create a Satisfying Ending? (Includes Dramacon 3 Review)
I’ve been thinking lately, as Tokyopop’s OEL series come to their ends, about whether these young creators have been given the help and support they need. Tokyopop claims shared copyrights on these works, for which one presumes they had some input into them. (The suspicious say that it’s just a way to manipulate creators unaware of their business choices and take more profit and control.) However, judging solely by the way I’ve found the final series volumes severely disappointing, the […]
Read more