Steady Beat 3 Preview; Rivkah Vows to Continue

Rivkah, author of Steady Beat, published by Tokyopop, comments on their recent announcement of changes. Honestly, I’m happy this happened. I was expecting bankruptcy by November 2007. Instead, for perhaps the first time ever, Tokyopop has made the right move by cutting back on how much spagetti they throw at the wall to see what sticks. I don’t doubt the turmoil will take several months to settle down and many of us creators will be cut, but from a business […]

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A Century of Women Cartoonists

A Century of Women Cartoonists, from Kitchen Sink Press in 1993, seems like a revision of Women and the Comics, with a few major changes: 1) Trina Robbins has no co-writer this time, 2) the emphasis is on history, not present-day creators, and 3) a stated intent to focus only on cartoonists, not women who only write comics. On a flip-through, this volume seems to have more illustrations as well, which makes for a breezy read and gives more of […]

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Nephilim Volume 1

It feels, upon opening Nephilim volume 1, like Anna Hanamaki set out to craft not a story but a catalog of as many fetishes as possible. A Nephilim is male during the daytime but becomes female at night. Plus, they’re bloodthirsty; they try to kill anyone who sees them. However, the one in this book is so incompetent that that’s less a threat than unintentional comedy. A chest-baring soldier captures a Nephilim after flirting with him. Once night falls, he […]

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Women and the Comics

Trina Robbins keeps writing books about the contributions of women to comics, filling in gaps in the more familiar history with lots of fascinating stories of under-appreciated creators. Yet these books keep going out of print. Male conspiracy? Or just bad luck with publishers? Her first book on the topic, Women and the Comics, was co-written with Cat Yronwode (Editor-in-Chief of Eclipse Comics, who published this volume in 1985) and intended in part as a response to Maurice Horn’s Women […]

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More Tokyopop Contract Discussion

Good comment on the Manga Pilots Tokyopop contract uproar: Brad Fox compares the Tokyopop and Zuda contracts (with a cute graphic of the two logos). He concludes that the Tokyopop one is preferable because it allows you to walk away with your rights if you want to after the contract is over. By his reading, Zuda, on the other hand, takes “*all* adaptation rights … Print. Merch. Movies. Television. Spin-offs. The whole ball of yarn.” Brad also thought the Manga […]

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Yotsuba&! Future Uncertain, Book 6 Unlikely to Be Soon

Brigid analyzes comment on whether ADV Manga still exists and whether Yotsuba&! volume 6, originally due in February, is ever coming out. The short version is as follows: A former Newtype USA editor said ADV Manga was defunct. In response, Chris Oarr, who handles Sales & Marketing for the company, was recently interviewed in a piece that’s remarkably content-free, even for internet interviews. Although some are pointing to this as evidence that the company’s still around, there are no actual […]

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Tokyopop’s Contract Response

I sent a query to Tokyopop’s PR contact asking “Does Tokyopop have a response [to the Manga Pilots uproar]? Are any changes in the contract planned?” In return, I got this back, described as the official TP statement from the Pilot Program team, Paul Morrissey and Hope Donovan: The Pilot Program represents an exciting new stage in the development of original manga for TOKYOPOP, and one of the things we’re most excited about is having a brief, accessible contract–and being […]

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Tokyopop Sets Tongues Wagging

More on the latest Tokyopop contract problem: Lea is enjoying getting to say I told you so — she had concerns about the OEL manga contracts years ago, but she was told she didn’t know what she was talking about (not likely, given her long-ranging experience in the business) and that she was too old. Brigid, a former book editor, takes a look at the contract. While she agrees the moral rights issues are problematic, she finds some of the […]

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