This list covers new stories featuring the classic version of the Sherlock Holmes character, arranged by original publication date.
To celebrate the 50th Anniversary of Detective Comics, the title that introduced Batman, issue #572 (DC Comics, 1987, cover art by Michael Wm. Kaluta) featured a story called “The Doomsday Book” written by Mike W. Barr. It teams up a number of detective characters, and Sherlock Holmes stars in a chapter titled “The Adventure of the Red Leech”, set in 1886, drawn by E. R. Cruz. He reappears in the final chapter, “God Save the Kingdom!”, in very well-preserved form, art by Alan Davis and Paul Neary.
Scarlet in Gaslight (Malibu, 1988, written by Martin Powell, art by Seppo Makinen) pits Sherlock Holmes against Dracula. Lucy Westenra’s mother has asked Holmes for help, so he and Dr. Van Helsing team up against the Count and Professor Moriarty. (The treatment of women is reminiscent of Hammer horror movies.) The sequel, A Case of Blind Fear, sent Holmes against the Invisible Man.
The League of Extraordinary Gentlemen (Volume 1, DC, 1999-2000, by Alan Moore and Kevin O’Neill) features as supporting characters James Moriarty and Mycroft Holmes, with a flashback retelling of the Reichenbach Falls encounter over several pages in issue #5. Mycroft reappears in Volume 2 to send the group on their next mission. Unfortunately, most of his appearances are excuses for fat jokes.
Posy Simmonds drew the three-page “Sherlock Holmes å Paris” for Le Figaro Littéraire in 2008; it was reprinted in the more recent Literary Life Revisited (2016). Watson tries to investigate an author enraged by a negative review while Holmes battles anti-smoking laws.
The Trial of Sherlock Holmes (Dynamite, 2009 hardcover, 2010 paperback, written by Leah Moore & John Reppion, illustrated by Aaron Campbell, cover by John Cassaday) features a case where Holmes is framed for murder, complicated by international politics (and the resulting presence of Mycroft Holmes). It’s a compelling premise, giving Watson and Inspector Lestrade a reason to investigate on their own, marred by a too-abrupt ending.
Sherlock Holmes: Year One (Dynamite, 2011, written by Scott Beatty, illustrated by Daniel Indro, cover by Francesco Francavilla) has much the same tone as the Sherlock Holmes: A Game of Shadows movie out the same year. A young student Holmes and a Dr. Watson working as a medical consultant for the constabulary team up to solve a series of killings themed around the Caesars of history. Irene Adler, Victor Trevor, and Professor Moriarty also make appearances in the action-driven, lavishly illustrated story.
Sherlock Holmes & the Case of the Crystal Blue Bottle (MX Publishing, 2012, written by Luke Benjamin Kuhns, art by Sarah Ruprechet, Dan Albers, and Marcie Klinger) is a slight book in more ways than one. Fourteen pages of comics are padded out with pinups of varying quality. The actual story is barely a case, the art style changes abruptly in the middle (the second is much improved from the first), and the lettering is amateurish. Apparently a fund-raising project, the good intentions don’t make up for the poor quality.
Sherlock Holmes and the Horror of Frankenstein (MX Publishing, 2013, written by Luke Benjamin Kuhns, art by Marcie Klinger) still has issues with confusing balloon flow — and too much text overall — but the use of one artist and a more substantial story are great improvements. There are few surprises, as the conflict is contained in the title, but it’s an atmospheric change from the usual Holmes/Dracula mashup, even if Holmes and Watson are mostly observers in this tale.
Sherlock Holmes: Victorian Knights (Bluewater, aka Tidalwave, 2013, written by Ken Janssens, art by Matthew Martin) emphasizes action, with fights and verbal sparring between Holmes and Watson. It’s clearly inspired by the Robert Downey films, although Sherlock is light-haired and Watson is drawn as an older man. There are a couple of murders and an anti-monarchist conspiracy, all in muddy coloring, but they are all excuses for Holmes insulting Watson and dragging him on another chase, in what is more a Victorian buddy action movie than a Sherlock Holmes story.
Sherlock Holmes: The Liverpool Demon (Dynamite, 2013, written by Leah Moore & John Reppion, illustrated by Matt Triano, cover by Francesco Francavilla) mixes rumors of a mythical monster, dog-fighting, mob violence, exotic beasts, and seances into something that never quite comes together, punctuated by a weirdly inconsistent likeness for Holmes.
The three Dynamite titles — The Trial of Sherlock Holmes, Year One, and The Liverpool Demon — are also available as the Sherlock Holmes Omnibus (Dynamite, 2016, cover by John Cassaday).
Sherlock Holmes vs. Harry Houdini (Dynamite, 2015, written by Anthony Del Col & Conor McCreery, art by Carlos Furuzono, cover by John Cassaday) pits the two against spiritualists who want to stop Houdini from debunking them. Holmes is on hallucinogens, and they have to stop trying to show each other up long enough to focus on the mystery of a suicide at Houdini’s stage show.
Sherlock Holmes and the Vampires of London (Dark Horse, 2014, cover art by Jean-Sébastien Rossbach) is the first of a hardcover trilogy of reprinted European albums written by Sylvain Cordurié. This one, illustrated by Laci, takes place while Holmes is thought dead after the Reichenbach Falls. He finds himself involved in a struggle amongst different vampire factions. (It also has a scene with Mycroft Holmes near the beginning.)
Sherlock Holmes and the Necronomicon (Dark Horse, 2015), the second of the trio, has the same artist, who also provided the cover. In this story, Moriarty also survived the Falls, through occult means and telepathy.
Sherlock Holmes: Crime Alleys (Dark Horse, 2016, cover art by Ronan Toulhoat), art by Alessandro Nespolino, is less mystical than the previous two volumes in the series. It’s a flashback story, where a younger Holmes is sharing a flat with a gifted violinist, instead of Watson, and working with Colin Pike at Scotland Yard instead of Lestrade. There’s a younger Moriarty, too, and his crime boss father.
Sherlock Holmes: The Seven-Per-Cent Solution (IDW Publishing, 2016, cover by Kelley Jones) is an adaptation of the novel by Nicholas Meyer in which Watson tricks Holmes into visiting Sigmund Freud for treatment for his cocaine addiction. It’s adapted by David Tipton and Scott Tipton, illustrated by Ron Joseph, and does a great job capturing the twists, turns, and action of the original story.
Neil Gaiman’s Hugo-winning short story mashing up Sherlock Holmes characters with Lovecraftian tentacle monsters was adapted by Rafael Albuquerque and Rafael Scavone and illustrated by Albuquerque in A Study in Emerald (Dark Horse, 2018). In an England run by characters from the Cthulhu mythos, the detective and his ex-military partner attempt to solve a horrific murder, with quite the twist ending. A fascinating read.
Sherlock Holmes: The Vanishing Man (Dynamite, 2019, cover by John Cassaday) is another written by Leah Moore & John Reppion, this time illustrated by Julius Ohta in a lovely clean-line style with a great sense of movement. A family man has gone missing, and the disappearance is connected with the schemes of Professor Moriarty.