Polly and Her Pals

This extraordinary volume, first in a series, is impressive in both content and sheer size. It’s the same shape as the traditional newspaper comic page from its original era, making it humongous by current standards. At 12″ x 16″, you’ll need a table or other flat surface to enjoy it, and it’s a wonderful feeling to be totally taken in by the color pages filling your entire field of vision and beyond.

Polly and Her Pals cover
Polly and Her Pals
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Polly and Her Pals is a strip revered by artists for its playful visuals, stunning color, and creative use of perspective by Cliff Sterrett, especially beginning in late 1925. Although the comic was named after fashionable proto-flapper Polly, by that point in its run, we more often saw her family members, especially father Paw and his struggles to get some relaxation and middle-class pleasures.

Definitely a product of the Art Deco and imaginative Roaring Twenties, Polly and Her Pals was to domestic comedy what George Herriman’s Krazy Kat was to slapstick-strewn desert landscapes. One wonders how such a willowy beauty as Polly came from such dumpy, mushroom-like parents, but one cannot help but enjoy the astounding, visually creative results. Polly is a modern American woman, juggling beaus and making her own decisions, while hen-pecked Paw simply wants peace at home, to smoke a cigar, maybe a card game with the fellows or a rest at the beach.

Although this volume is subtitled “1913-1927″, the content of those first years isn’t complete; instead, it’s a sampling to provide context. All of the comics reprinted here are color Sunday pages. The very first example from December 1913 is reprinted, followed by two strips each for 1914-1923. All the Sunday comics from November 1924 through April 1925 are included, at which point Sterrett took a sabbatical. A few examples from those who ghosted the strips are included, and the series resumes with November 1925, continuing through the end of 1927. A followup Sunday volume is planned, as is a book of daily Polly strips.

The sabbatical period is significant, because it’s afterward that Sterrett’s imagination flows more freely. Paw floats through a night sky on a parachute while sleepwalking, or he dresses up as Maw to catch a “masher”. Sterrett is quite skilled at pantomime, with one wordless strip showing Paw and Maw fighting over how to hold the umbrella they share on a rainy day. Others have Paw sliding down the icy front steps or attempting to sneak away from his drowsing wife or fighting with a shirt label. One classic installment, shown on the back cover, takes an underwater viewpoint, telling a short story of Paw and a bathing beauty. Another astonishing entry plays with color and shade as the cat copes with a noisy night, lit only by moonlight.

The strips from 1926 on include their “toppers”, separate short comics that ran at the top of the page. (Unfortunately, they also include some inappropriate racial caricatures reminiscent of the time, including one strip where Paw and his buddies put on blackface for a minstrel show.) The book also contains an introduction by P. Craig Russell and a lengthy biographical essay by Jeet Heer. Polly and Her Pals is part of the Library of American Comics. (The publisher provided a review copy.)

Similar Posts: Polly and Her Pals 1933 § King Aroo § More Great Old Strips Reprinted § Classic Comic Strips Month Starts Today § Coming Up: Graphic Novels Due After July 2011


6 Responses to “Polly and Her Pals”

  1. Diana Green Says:

    Delighted to see this out. I’ve treasured my Kitchen Sink edition of the first volume for years. I do wish it was comprehensive, rather than a summary, but I suppose it’s like reading early Spirit strips before Eisner hit his stride- historically significant, but not as exciting as the later work.

  2. DeBT Says:

    This is a comic I’ve wanted to see collected for years, but the price point for a single volume scares me off. Especially when you consider that there’s going to be future volumes. If it were $20, I’d snatch it up, no question. $40? Pushing it, but still reasonable. But $75? That’s almost 100 bucks, and just as likely to scare me away. I’m more likely to wait until there’s a bargain-sale price elsewhere. Hopefully IDW will lower their price with this comic – they’ve been doing right with the other newspaper comic strips so far.

    (Well, except for releasing edited & censored early Bloom County strips in their first collection. I’m still hoping they’ll release unedited versions at some later point)

  3. Ben Towle Says:

    I saw this on the shelves at Heroes Aren’t Hard to Find recently. It’s truly a thing of beauty. I love how there are often crescent moons in *every* window drawn–even if we’re seeing a few windows in the same room, all with the moon in them!

  4. Johanna Says:

    DeBT, $75 is a lot — but Amazon has it for $47 right now, more than a third off. And this is for a particular audience, not a mass market, in an upscale format.

    Diana, I wish they would have reprinted the Spiegelman intro from the Kitchen Sink books in this volume — although they quote from it a couple of times.

  5. Brian Fies Says:

    Cliff Sterrett is one-and-a-half of my personal Top Ten All-Time Cartoonists, and the only one almost nobody’s heard of. I hope this book helps remedy his obscurity and I look forward to seeing it. Thanks for the news.

  6. Polly and Her Pals 1933 » Comics Worth Reading Says:

    […] to turn it. It’s a big change from the previous oversized IDW volume reprinting the earlier Sunday Polly and Her Pals […]

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