DC Closes CMX Manga Imprint

Brigid Alverson at Robot 6 reports that DC is closing the CMX Manga imprint as of July 1 due to “the challenges that manga is facing in the American marketplace”. (Update: As of 5/21/10, DC has removed the CMX website as well.) CMX launched in October 2004, and while their early title list was uneven, lately, they had been releasing a number of enjoyable titles, including

Emma remains one of my favorite manga titles. I’m also disappointed that I’ll never see Argent and his princess together.

Some assumed that, while CMX didn’t have much bookstore visibility at all and little convention promotion, as part of big company DC Comics, they were relatively safe. Unfortunately not. This year hasn’t been a good one for manga companies, with Viz’s significant layoffs and the rumored disappearances of Go! Comi and Aurora. At least this time, we got confirmation.

Via Anime News Network comes this list of the last seven titles to be released in June:


  1. That’s too bad, I hadn’t followed any of their titles in a while yet had been meaning to at least take a look. Given that Chynna (Blue Monday) Clugston, someone whose creative work I’ve admired, had recently taken an assistant editor position there.

    Hope she and the rest of the people behind CMX land on their feet somewhere else.

  2. […] the wake of yesterday’s news that DC is shutting down CMX, a variety of reactions hit the internet. Here are some of the strongest and […]

  3. […] CMX series comes at a sad time — not only is The Name of the Flower ending, but so is the manga line overall. This may be the last CMX book I review, which adds a melancholy air that’s well-suited to […]

  4. […] We spend about a half-hour talking about recent changes in the manga industry, especially the CMX shutdown and changes at Viz. I really enjoyed the conversation, and next time I will let Ed talk […]

  5. […] CMX was closed, now Zuda (which had seemed like it didn’t have much of a future when they ended the […]

  6. […] press releases, because that’s what a manga company is supposed to do, but given some of the industry changes lately, I’m just glad to see they’re still […]

  7. charizardpal

    I read one of their mangas. It was weird, and they did a horrible job (writing text vertically like this:
    r d

    It was messy and I’m glad they’ve left the market for people who can release manga propperly.

  8. […] also no longer at Tokyopop, which is unfortunate — she previously worked at CMX before they went under last […]

  9. […] Tokyopop was always an experimental company. They’re the ones who, back in 1997, brought Sailor Moon to the US, breaking open the shojo market. In 2001, they created the idea of unflipped, right-to-left manga being “authentic”, a marketing strategy that allowed $10 black-and-white manga paperbacks to become a publishing success story (and cut adaptation costs, since all that art didn’t have to be processed). Although rumors of their demise were circulating as early as 2008, and they went through a difficult patch in early 2009, cancelling many planned books and losing Kodansha titles they’d licensed to Del Rey and Dark Horse, 2010 appeared to be something of a recovery for them, with a new slate of well-reviewed titles. (Shades of CMX!) […]

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