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Interview With Steve Lieber (Whiteout)
September 10, 2009

The movie adaptation of the graphic novel Whiteout opens tomorrow. Artist Steve Lieber, who illustrated the comic written by Greg Rucka, was kind enough to answer some questions about how the two different media versions of the story compare.

Whiteout

When Whiteout was first being published, did you envision it in another medium as well?

STEVE LIEBER: Back when I first read the comics script, Whiteout struck me as very likely to get other-media interest. It works as a movie, obviously. It could work as a prose novel — it would even work well on stage. It’s a really compelling story, and it has such an unusual setting.

How did the movie deal come about?

STEVE LIEBER: My understanding is that both Joel Silver and Dominic Sena had been interested in the GN since they first read it, back when it originally came out. After Reese Witherspoon’s option on it lapsed, Silver’s company contacted Greg Rucka’s representatives, and it moved very quickly from there.

How much have you been involved in the filming? Did you get to visit the set or offer any input?

STEVE LIEBER: I visited the set, but that was way, way too far into the production for me to be pulling out a pencil. The filmmakers had 200 pages of my artwork — something like 1500 panels — to comb through for visual ideas. For a movie this size, that was plenty. There’s going to be a feature on the dvd that does lots of panel to screen comparisons.

Have you seen the final film? What did you think?

STEVE LIEBER: I haven’t seen it yet. My first viewing is going to be at the red-carpet premiere in LA.

What is the biggest thing you thought they got right in translating the graphic novel to film?

STEVE LIEBER: Since I haven’t seen a final cut, that’s hard to say definitively, but I adore the look of the movie. The environments that Graham “Grace” Walker created are incredible. His envisioning of Amundsen-Scott South Pole station and the Russian base have to be seen to be believed. And what I’ve seen of the relationship between Carrie and the Doc has been perfect. Everything about them I tried to draw in the graphic novel was up there on the screen.

What one thing would you have changed about the movie?

Whiteout cover
Whiteout
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STEVE LIEBER: I’m a cartoonist, not a filmmaker, so honestly, I hesitate to second-guess someone else’s choices. It wasn’t my 50 million dollars they were spending. That said, I’d have liked to see Lily Sharpe in the movie. I think Gabriel Macht is terrific, but the tension we built between Carrie and Lily was one of my favorite things about the original graphic novel and I’m sorry to have lost that. Maybe if someone decides to do Whiteout on stage, they can put it back. (laughs)

What would you tell moviegoers to interest them in the graphic novel?

STEVE LIEBER: Whiteout (the graphic novel) is a smart, atmospheric crime story. It’s gotten a ton of acclaim and the story means a lot to me and Greg. I put everything I had into drawing it, and I think it shows on every page. You can see for yourself by reading the entire first issue for free on my website.

What’s currently on your plate in comics?

STEVE LIEBER: UNDERGROUND: a thriller set in a Kentucky cave system, written by Jeff Parker, the writer behind great Marvel comics like Agents of Atlas and X-Men First Class, published by Image Comics. It’s fast-moving and tense — a conflict between a couple of park rangers and some locals spirals out of control, and what should’ve been an argument turns into a life-or-death chase through the dark. It’s a beautiful, creepy, claustrophobic environment, and the chemistry between our two park rangers is great. (One’s a gal, one’s a guy.) Parker’s the best new writer in comics and I’m having a blast drawing it. There’s a free preview at http://www.undergroundthecomic.com.


My thanks to Steve for his answers. I’m going to see the movie on Sunday, so I’ll be telling you what I thought then.

I neglected to ask Steve about progress on the final Whiteout book: Originally called Thaw, a four-issue miniseries was planned to start in Fall 2007, but in December 2008, Rucka posted that the title would be Night, and it would be coming out around now. According to an FAQ on Lieber’s site, however, while one issue has been completed, “Greg has had to put the script for issue two on hold for a while.” In the meantime, everyone should be reading Underground!

8 Responses  
Ed Sizemore writes:  

I love how the movie poster captured the feel of Lieber’s artwork. Sounds like both Lieber & Rucka like what they’ve seen of the film so far.

 
Robot 6 @ Comic Book Resources – Covering Comic Book News and Entertainment » Comics A.M. | The comics Internet in two minutes writes:  

[...] Creators | Whiteout collaborators Greg Rucka and Steve Lieber chat separately about their 1998 miniseries and the new movie adaptation. [iFMagazine, Comics Worth Reading] [...]

 
Kleinkram: My PDF Scripts, „Whiteout“, Hans-Christian Schmid, Walter Hill, James Patterson « Kriminalakte writes:  

[...] Bei „Comics worth reading“/“DVDs worth watching“ gibt es ein kurzes Interview mit Steve…t“: [...]

 
Another Lieber Whiteout Interview » DVDs Worth Watching writes:  

[...] I wasn’t the only person who had the idea to interview artist Steve Lieber about the release of the Whiteout movie. [...]

 
Caroline writes:  

Great interview! Whatever the final assessment of the move, reading this reminds me that I picked it up in the first place b/c I’d heard a conversation about it being filmed. It’s also probably responsible for those definitive editions being in print.

And I’m really looking forward to getting my hands on UNDERGROUND — which is one of those things I’ll be happy to stay a comic, because I’m mildly claustrophobic and don’t think I could actually watch a movie about caves.

 
Johanna writes:  

Thank you! Yes, a nice side effect of the film is keeping the books in print and visible.

 
Whiteout Bonus Features Blu-Ray Only » DVDs Worth Watching writes:  

[...] in seeing the featurette discussing the graphic novel and its trip to film, especially what artist Steve Lieber had to say. However, these special features are described as “exclusive to [...]

 
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